Showing posts with label Birger Sandzen. Show all posts
Showing posts with label Birger Sandzen. Show all posts

Thursday, September 29, 2016

A Kansas Artist

Birger Sandzen's "The Bridge"
Those of you who follow my blog will recognize the painting at left, for it was previously posted in my blog about the works loaned by the Birger Sandzen Memorial Gallery to the Vernon Filley Art Museum for a wonderful exhibition several months ago.  (You may also remember the blog post about the now collapsed natural bridge near Sun City which many of us remember visiting as a child.)  These blogs can be visited in the blog archives.

Farley's in Lindsborg, KS
My husband and I had intended to visit the Sandzen Gallery in Lindsborg, Kansas since that exhibition, and on a recent beautiful autumn Sunday afternoon, we finally made the trip.  We began our visit with lunch at Farley's, a delightful restaurant in downtown Lindsborg.

The Birger Sandzen Memorial Gallery is located on the left just inside the Bethany College campus gates.  The 1-story Gallery was dedicated in October 1957 and includes not only the work of Sandzen but also many other well-known works by his contemporaries, as well as prints by familiar artists such as Rembrandt and Durer.  Visitors might also be surprised to discover the wonderful Chinese and Japanese collections of the museum.

Sign near entrance to campus with gallery behind sign
Surprisingly, the Sandzen Gallery admission is free; however, like many museums, donations are essential to maintain the facility and carry on the programs.  The special exhibits during our visit were the work of Maurice Bebb, for which the wonderful hard cover catalog was done by Sandzen Curator Cori Sherman North, an exhibit of glass created by native Lindsborg artist Helen Koon Gragert, now living in Oklahoma, and a delightful exhibition of self-portraits by Kansas artists.  Having just done a self-portrait myself, I particularly enjoyed seeing the range of self-portraits displayed--classic, humorous, philosophical, modern--in a variety of media.  You may enjoy them too at the Birger Sandzen Museum website, where the full show catalog with all of the self-portraits may be viewed.
Sandzen home & studio

Birger Sandzen's Studio is only steps from the back door of his former home, and the Gallery is responsible for maintaining the studio.  It was not open when we were there, but we walked around the exterior.  I was charmed by the setting, beautifully landscaped.  Look right, and you can almost picture Sandzen striding down the back steps of his house, eager to paint!

Birger Sandzen's Studio
How fortunate Kansas is to have not only the Gallery, with its impressive collections, but also the studio of Sandzen.  Naturally, the studio represents another financial responsibility for the foundation that supports both the Memorial Gallery and the Studio.

It will not surprise any of you who follow my blog to know that we left with books from the Gallery gift shop and tucked a little more into the donation box to help support the Gallery & Studio.  If you are interested in learning more, you may visit their website.  The Sandzen Gallery has been particularly generous to the Pratt community in loaning the works to the Filley for the "Kansas Ties" exhibition of August 22 through November 30, 2014.  Many people in the Pratt area are collectors, and some of Sandzen's work is currently on display at the Filley Art Museum.

Thursday, September 4, 2014

The Natural Bridge, Part II

Natural Bridge near Sun City, Kansas
Last week's blog, "The Natural Bridge,"   (archives, 8-28-2014), about artist, Birger Sandzen's paintings and prints drew many visitors to the blog.  Some of those visitors left comments, a few at the blog, but many more on face book.  One of those comments was left by Janice Smith Urban with a link to a wonderful website containing many photographs.  The photographs used in this blog are from the Collection of Brenda McLain, courtesy of Kim Fowles, with post card images collected by Kim Fowles, together with images from the Kansas Geological Survey.  I recommend a visit to that website, http://www.rootsweb.ancestry.com/~ksbarber/natbridge.html where specific photo credits are shown and additional photographs may be viewed.  My thanks to Janice, who led me to the site, and to the many others who left comments.

Taken by Stan Roth in 1961, KsGeoSurvey
The face book comments described visits by many people when they were children, and the wonderful old photographs document visits far earlier, judging from the clothing and an old automobile in one image.  Look closely at the photo above to see the three young women in their long, white summer dresses which would have been the fashion from the early 1900s.

The photograph at left was taken in 1961, showing very different dress of the men in the picture.  Compare the condition of the rocks in the two photographs, and notice how the cracks have become more apparent.  The bridge collapsed shortly after the 1961 photograph was taken.

Last week's post included excerpts from an interview published Dec. 5, 1940, in which Sandzen expressed his concern about the stability of the bridge.  He urged the importance of immediate preservation efforts, and, in fact, there were efforts taken for the state to acquire the property as a historical site.  An article in the Barber County Index, dated Feb. 20, 1942, describes passage by the Kansas House, which was sent to the Senate as a joint resolution, directing the Kansas Fish and Game Commission to acquire the Natural Bridge to be supervised and promoted by the state.  Unfortunately, the resolution required acquiring the area described at no cost, and the property remained in private hands.

From Fowles Collection
A detailed description of the bridge by Prof. F. W. Cragin appeared in the 1912 Kansas:  a cyclopedia of state history, Vol. II, p. 336, a copy of which is in the collection of the Pratt Historical Museum.  "The bridge spans the canyon of the creek, here about 55 feet from wall to wall.  The height of the bridge above the bed of the creek is at the highest point 47 feet, at lowest 31, and at middle 38.  The width of the bridge at the middle is 35 feet.  The upper surface of the bridge declines toward the downstream side, but not so much that a wagon drawn by a steady team could not be driven across it."

Children wading under the Natural Bridge
Former Pratt resident Chuck Renner described in a face book comment the creek as being about 4' wide and 2' deep when he was a boy and his father allowed Chuck and his siblings to swim in the water.  Others remembered a dry creek bed, or no more than a trickle of water.

Prof. Cragin's description reads:  "The relief of the vicinity seems to indicate that at a geologically recent time Bear creek here flowed to the east of its present course, and that its waters, becoming partially diverted by an incipient cave, enlarged the latter, and finally were entirely stolen by it, the cave at length collapsing, save at the portion now constituting the natural bridge."  Since present memories of the amount of water in Bear Creek when they visited as children vary, perhaps the amount of rainfall explains the differences.  However, there was certainly water in Bear Creek when the children in the photograph above visited.  (Clothing would indicate the early 1900s.)

Entrance to Havard's Cave
Filley Docent Gary Curtis, upon seeing the Sandzen painting of The Bridge in the "Kansas Ties" exhibition at the Filley Art Museum, described being encouraged by my older brother Clark to enter a cave where Gary became stuck in a narrow passage.  In a 2005 exchange of e-mails between Kim Fowles and David Massey, he described high school boys entering Havard's Cave.  "The tough part was the entrance as you had to lower yourself down into a sink-hole, finally get yourself flat on your stomach and wiggle yourself in for several feet, then it would open up and finally you could stand up.  It was fairly spacious and [I] don't remember how big it was now, but I'm sure it was a lot less than I remember it.  The first fellow that entered it had to have had nerves of steel as there is very little wiggle room at the beginning and its not easy to wiggle backwards if you met something that did not welcome you."  Massey's description sounds as if Gary might have remembered that tight passage into Havard's Cave.  (The photo of Havard's Cave is from the collection of Elizabeth Covington Hoagland, via Kim Hoagland Fowles.)

As for the 'something that did not welcome you,' Chuck Renner may have offered a clue about what that could have been.  His face book comment described a family visit when his sister jumped from the car ahead of the rest of the family and nearly stumbled into a pit with at least twenty rattlesnakes in it!  Chuck had never seen so many rattlesnakes at one time, and he has never forgotten what he saw that day.  Lee Massey, in the 2005 exchange of e-mails, described a cave that ran from one side of the bridge to the other.  "It was exciting to go thru," she wrote. "I was always afraid of Rattlesnakes.  It was always cool.  There was a ledge along one wall and I was afraid snakes would like it."

Collapsed Natural Bridge, KsGeoSurvey
I have saved the saddest photograph for the close of this blog.  The danger of a collapse from natural causes had long been known.  Perhaps that is what occurred.  However, it is suggested by others that the bridge was dynamited because of the liability it presented.  What is obvious from this photograph is that the place remembered fondly by many people living in this area is gone.  There is no question that trespassing was frequent and risks were taken.  The photograph taken in 1961 shows how the cracks had enlarged from what appeared in earlier photographs.  Liability concerns were reasonable, however tragic the destruction of a beautiful natural wonder loved by so many people and worthy of designation as a State Historical Site may have been if, in fact, it was dynamited.  

Jerry Ferrin may have been one of the last to visit the bridge and to crawl through a small tunnel under the bridge, a tunnel Nancy Smith has early home movies of her father and her grandparents with others "coming out of it, shaking the dirt off, laughing and having a good time!"  In the 2005 exchange of e-mails, Jerry wrote, "Dad had heard the natural bridge was to be destroyed, and took us to see it soon before that was done."  

Sadly, those of us who can remember visiting the bridge now have gray in our hair, and family visits can no longer wade under the bridge and crawl through the caves.  However, all of us can visit the Vernon Filley Art Museum now through November 30, 2014 to see Birger Sandzen's painting of The Bridge, on loan from the Birger Sandzen Memorial Gallery in Lindsborg, KS.  Visit last week's blog for more information.


(Remember, you can click on the images to enlarge them.  Be sure to add comments to this blog if you have memories to share.)

Thursday, August 28, 2014

The Natural Bridge

Near Sun City, Kansas
In the autumn of 1887, Isaac Werner made three trips to Sun City, Kansas to market potatoes.  The market for potatoes nearer his homestead was glutted, but the soil around Sun City did not encourage farmers to raise potatoes.  Of the rugged terrain, Isaac wrote "curious country around here."  To read more about Isaac's trips, visit "The Trip to Sun City" in the blog archives at 2-20-2014.

The photograph at right gives some idea of the rugged terrain; however, one parcel of land was so rocky and rough that people called it "Hell's Half Acre."  The Barber County Index published an interview on October 6, 1927 of an early settler from Kentucky who had come to Barber County to claim land.  During that interview, Green Adams explained why he had chosen such rugged land.  "The first of March 1873 I came to Barber County.  A great many people wonder why I came to Barber county when I passed over so much good land further east.  The reason was because there was plenty of timber and water in Barber County.  As I came from a heavily timbered country I didn't think I could get along without timber."

The land known as "Hell's Half Acre" remained in the Adams family until about 1958, when family member, Bruce Adams, sold the land near Sun City and moved into Pratt.  By that time, many people in the surrounding region knew about a natural bridge and some caves located on the land.  It was not unusual for families to travel there for picnics.  Schools even brought buses of children to visit the natural bridge.

I was one of those school children.  Most of us had never seen a natural bridge, and to our innocent eyes this was about as exciting as a visit to a National Park like Arches or the Grand Canyon.  The existence of this natural wonder spread as far as Lindsborg, Kansas, where artist Birger Sandzen learned of its existence.  He traveled to the site and used the bridge as the subject for his art.  Sandzen's painting is the centerpiece for the special exhibit, "Kansas Ties," currently at the Vernon Filley Art Museum through November 30, 2014.

Sandzen's oil painting  "The Bridge, Pratt, Ks," 1941
A recent visitor to the museum shared the website for the December 5, 1940 Johnson (Kansas) Pioneer, where on page 10 an interview with Birger Sandzen is reported.  Sandzen explained that he had been doing some sketching of the natural bridge, and he urged the importance of stabilizing the bridge to preserve its beauty.  He had observed that rains were weakening the rocks, endangering its collapse.  Sandzen praised the beauty of the area, saying it reminded him of the Grand Canyon.

At the Opening of the "Kansas Ties" exhibition at the Filley on Friday evening, August 22, 2014, many visitors described their own visits as children to the area, sharing clear memories of the wonderous natural bridge they had enjoyed.  Sadly, the bridge no longer arches across the creek bed below.  Although many of us clearly remember the bridge, no one recalled the amount of water depicted in Sandzen's painting.  In fact, several believed the bridge spanned a dry creek bed.

"Kansas Ties" is on loan from the Birger Sandzen Memorial Gallery in Lindsborg, Kansas, and along with Sandzen's work, the work of other artists with Kansas connections, as well as connections as friends, fellow artists, and students of Sandzen, are exhibited.  Perhaps best known among those artists is John Steuart Curry, famous  for his mural in the Kansas State Capitol in Topeka with its depiction of abolishinist John Brown.  Curry was included with Missouri artist Thomas Hart Benton and Iowa artist Grant Wood as the three leading Regional Painters of the early 20th Century.

While you can no longer visit the natural bridge in Hell's Half Acre, you can visit the Vernon Filley Art Museum to see its depiction in an oil painting and to learn more about the role of Kansas artists during this period.  The "Kansas Ties" exhibition may be viewed through November 30th, and you may even want to join one of the 1st Saturday Docent tours conducted the first Saturday of every month for visitors who come to the Filley at 1:30 p.m..  Visit http://www.vernonfilleyartmuseum.com for more details.