Why I Enjoy Plein Aire Painting at the Fair

Photo Credit:  Cindy Moore

Many people at the State Fair are surprised to see an artist painting or drawing, or even this year at the 2019 Kansas State Fair, an artist sculpting in stone.  Among the subjects artists depicted were ducks at the lake, merry-go-round  horses, midway scenes, fountains, all sorts of livestock, crops, and even scarecrows.  The scarecrows were my selection, along with a white rabbit.

Photo Credit:  Larry Fenwick

Neither of my pencil drawings received an award, but the judge, Naomi Ullum, was wonderful, taking the time to comment on every piece entered for judging, and finding positives in her critiques, as well as pointing out specific ways to improve the work.  I believe I benefited from her comments, as I'm sure that others did as well.

Photo Credit:  Larry Fenwick

However, the critiques and contact with other artists, even the possibility of winning a prize, are not the primary reason I enjoy Plein Aire Painting at the Kansas State Fair enough to confront the challenge of limited time, heat, (or last year's rain), transporting my supplies and equipment, listening to the squawking, crowing, and (to be polite) unpleasant odor of some of my models, (such as Miss Lucy the pig that I sketched this year) or other inconveniences of Plein Aire Painting.  Such things are simply the anticipated challenges of the plein aire experience.

I am sharing the photographs in this blog to explain why I look forward to participating.  It's the children who stop to watch and ask questions.

Photo Credit: Larry Fenwick

(c) Lyn Fenwick, work in progress

Once, I was a volunteer at some now forgotten fund raiser where my assignment was a booth with  white plates that could be decorated.  I don't remember if the plates had designs to complete or what materials were used to decorate them, but I have never forgotten one little girl.  She was with her grandmother, and she had walked by my booth more than once, asking her grandmother to buy a ticket for her to decorate a plate.  Finally the grandmother agreed, and the little girl began her decoration with such excitement.  Her grandmother watched the child's eager beginning, but quickly spoke up.  "Now, dear.  You can draw better than that!  Stay within the lines."  The child's happy face crumpled, and slowly, with little interest, she colored in a few areas and announced that she had finished.  Even that did not please her grandmother.  "But you aren't finished," she said.  "You haven't colored in all the spaces."  The little girl said she didn't want to do any more, and they left my booth with a plate that had pleased neither of them.

Photo credit:  Cindy Moore

I hope I never again see a child, eager to draw a picture or paint a plate, being told to stay within the lines.  I participate in Plein Aire at the fair for the children.  To answer their questions.  To praise them when their parents say how they love to draw.  To explain when they ask 'why I did this' or 'how I did that.'  To say 'Of couse you can' when anyone says "I can't draw," whether it is a child or an adult--but especially if it is a child.  So many adults say, "I can't draw a straight line," but aren't straight lines irrelevant in most drawings!

This year at the fair, one little boy had been standing quietly beside me, watching me draw for quite a while, so finally I stopped and turned to him.  He still couldn't find his words, so eventually his mother leaned over and said, "He wants to know if you can tell him how to learn to do that."  He nodded his head.

Photo Credit:  Cindy Moore

Immediately, I replied, "Yes, I can," thinking quickly what to tell him.  I said, "When you get home, take a plain piece of paper and draw something.  Do the very best you can, and when you finish, get another piece of paper and draw something again.  Whenever you can, keep doing that, and each time you will learn something.  You will keep getting better each time, because as you draw you will be learning."  He listened and nodded as I spoke to him.  "Can you do that?" I asked when I had finished my impromptu advice.  He was smiling and nodding with such enthusiasm that I was sure he would sit down with a clean piece of paper soon after he got home.

His mother asked if he would like for her to photograph the scarecrows he had watched me draw, so he could do a drawing of them for himself.  He nodded.  As they were about to leave, I asked, "If I come to the fair next year, will you find me and tell me what you've been drawing?"  He was beaming as he nodded.

Photo credit:  Larry Fenwick

There are more stories I could share, but never will you hear me tell a child to stay within the lines.  That little boy, the children in the photographs in this blog, and the many others who stopped to watch as I worked, are why I go to the fair to participate in the Plein Aire competition.  It's why I hope to go next year and more years after that.  If I can inspire one child to be curious about art or if I can encourage one child to feel good about what they draw, then I will have my blue ribbon from the State Fair.  And next year, I will be watching for that little boy.

Remember, you can enlarge the images by clicking on them.

Fun at the Kansas State Fair

For the second year I went to the Kansas State Fair to participate for two days in the Plein Aire event.  No, I didn't place, but I had a great time!  The weather threatened rain both days, so my selection of where I wanted to set my easel was influenced by that threat.

The second day I found a cozy spot as out-of-the-way as possible for a crowded Saturday.  However, I arrived early to sketch the butter cow near the front door, because I knew that once the crowds arrived it would be impossible to see what I was trying to draw.

The fun is visiting with people curious about what I am drawing.  People kept peeking around to see how I was drawing the scene in front of me.  Instead, I was working from my sketch of the butter cow scene and some children I added, and they were confused or disappointed by what they saw.  So, with a little time left before entries had to be submitted, I quickly drew the scarecrow with his head made from a gourd so people could see what they expected to see.  Look closely and you can see that scarecrow in the back corner of the photograph above left.

When I sketched the butter cow, the sculpting was in the early stage, and the legs and head were not really shaped.  The tail was skinny, and the human figure was just a 'stick man.'  My sketch looked like what I had seen that morning before the sculptor arrived but nothing like a finished sculpture.  I worried that people might not understand that I had depicted a work in progress. At the last minute I added the butter bucket to indicate that the sculpture was unfinished, but the bucket just looked like a big black square in the center of the picture.  Oh well, I still had fun, but I wish now that I had cropped the picture like I did at left.  I might have even added the sculptor's feet near the bucket to show that the work wasn't finished.

The first day, I took shelter in the gazebo near the train station for a little protection if I needed to pack up quickly in case of rain.  That was a really fun place, since lots of children passed through the gazebo on their way to and from the train, and they loved seeing my train take shape.

I definitely need to improve my plein aire skills, and I need to select subjects more like a still life setup.  With limited time and subjects that don't stand still, I need less ambitious subjects!  The details of the train, drawn in colored pencil, were too time consuming.

However, the primary objective for having plein aire artists working at numerous locations around the fair grounds is not really about creating your best work.  It is about enjoying being interrupted to talk with people who stop by to watch and ask questions.  It is also about encouraging children to never be afraid to draw, even if they think they can't draw well enough to try.  And, the same thing goes for adults.

I wish I could show you the outstanding work of those plein aire artists that did receive awards for their depictions of the fair, but photographs are not permitted.  When you go to the fair next year, be sure to visit the Oz Building to see all the plein aire entries.  And, if you are a 'Saturday Painter,' consider joining the fun.  You don't have to be a professional to produce your own fair masterpiece and have fun participating.

Remember, you can click on the images to enlarge them.

  

Kansas State Fair 2017

Bottle washing machine

Prior blogs have mentioned my connection with Isaac Werner through our mutual love of books.  This week's blog shares our mutual enjoyment of drawing.  Many pages of Isaac's journal contain drawings in the margins, including his invention at right.

At the 2017 Kansas State Fair I participated in the Plein Air at the Fair event, during which artists produce art depicting exhibits and events.  Both Friday and Saturday artists working with oils, acrylics, paper, water colors, and pastels set up working sites throughout the fair grounds.  Canvases and papers had to be marked each day, with that day's work turned in at the close of the day, to prove that the art had been created entirely during the day's event.

Lyn with "Brownie"

Each artist was limited to two entries, which were judged by a former university art professor who is currently the head of a college art department in Kansas.  Four entries were selected for ribbons--three paintings and one paper mosaic.  Photographs of the displayed art are not permitted, so I cannot show you the four pieces that were selected.  Instead, I will share my adventures and efforts.  Although neither of my two pieces was chosen, I had a wonderful time and hope to participate again.

Having seen entries from past Plein Air events, I decided to participate, along with more than twenty other artists.  Signing up gave me the perfect excuse for purchasing a portable easel.  Having never done Plein Air, I set up my easel on our porch when it arrived to experience the sunlight and breezes of working outside.  It also gave me a chance to see if I had assembled all of the supplies I needed.

I still have a carrier I used to transport files to the courthouse for trials, and I put it to work carrying my new easel and other supplies, assembled in a plastic tub which served as my table when I worked. Many of the artists made do with less to transport, using a simple clip board and sitting on the ground or a park bench.  If artists reading this blog are tempted to participate next year, your supplies need not be elaborate--just whatever works for you!  I do encourage more artist to join the fun.

State Fair Friends

I am normally a portrait artist, so the first day I chose to do portraits--of chickens, ducks, and geese.  After all, a portrait is a portrait.  My first subject, whom I named "Brownie" because he was a Chinese Brown Goose, was great fun.  I was fascinated with his long neck, and while he did not always extend his neck, he was very obliging whenever I asked.  Brownie was a bit vain and seemed to enjoy posing.

My next subject I called "Pilgrim," since his breed was identified as Pilgrim-Sex Linked.  After getting set up, I waited for Pilgrim to become calm, but he was an active duck, back and forth from feeder to water and round and round the cage.  Since it seemed he was unlikely to ever be stationary for long, I decided to only draw his head, which was usually visible above the water and feed tubs.

My last subjects Friday were two colorful bantam roosters caged side by side.  The one named "Henry" (according to his owner) was also active, but because he was small I could keep all of him in sight as he moved about.  He apparently had an artistic nature, as he seemed to enjoy adding his own water splashes to his portrait.    His neighbor was more of a sleepy head, napping often despite the constant noise of the poultry barn.

Lyn with Pilgrim

In the cages behind were two beautiful black and white chickens, the Rooster named Bud and the hen named Rose.  Their pretty young owner obviously loved them like pets, and shyly pointed out that their clever, combined names were Rosebud.  I was tempted to try drawing their complicated black and white feathers, but I had been working about 6 hours at that point and was too tired for another 2-hour portrait.  

Saturday entries had to be turned in by 3 p.m., so I arrived early to get started.  Unfortunately, the exhibits  where I intended to work were not open that early.  I headed to the dairy cattle barn to start my day until my intended subjects were available, but after sketching a particular cow, her owner took her for a bath and I had to stop.  I moved on, intending to return later but in search of a subject to do in the meantime.  I never returned to the cow nor made it to the things I had planned to draw. 

Photo credit Gauman, Hutch News

I chose one of those souvenir photo stands with an oval cut out for children to put their faces through for a photograph to take home from the fair.    With the fair ground pavilion as a background and a tree to balance the triangular composition, I thought it would be a nice, not too complicated image.  I was wrong.  All of the angles and details of the pavilion took most of the morning, and by then the Saturday crowds had arrived.  The photo stand was popular, and families would line up between me and my subject to watch their children pose.  In addition, the miniature train tracks were between me and my subject and passed by regularly.  In fact, they were so busy there were two trains running.  

Since I was working in the park, many people stopped by to watch and to visit, which I loved.  Even Lindsey Gauman with the Hutchinson News took my photo for the Sunday Paper and stopped by to get my name.  What wasn't so nice was that  as the breeze came up I realized that my position blew fairground grit right into my eyes.  I was having a true Plein Air painting experience!

Lyn's turn to pose in the souvenir photo board

On Friday I had finished 3 drawings in six hours, but on Saturday I struggled to finish 1 drawing in 6 1/2 hours, rushing to finish the tree before time ran out.  I wasn't satisfied with Saturday's work, but I chose to enter it as one of my 2 entries, along with the double chicken portraits.

I did not win any prize, but I was pleased when the judge took the time to comment specifically on my entry from Saturday when he finished speaking about the 4 winners.  He said how much he appreciated my theme of contrasting the permanence of the pavilion and the tree against the bright colors and temporary excitement of the fair, represented by the souvenir photo display.  I had been so disappointed with that work, but he had seen what I set out to depict, and I was both embarrassed by being singled out and pleased by his comments.  

The 2017 Kansas State Fair continues through Sunday, September 17, so if you have not attended this year and you are curious to see the Plein Air exhibit, it can be found in the OZ Building.  I hope some of you who may have considered participating will be encouraged to enter next year.  I had a blast!

Remember, you can click on the images to enlarge.